Sandra Mahoney has gone digital – all four books at once!
The Fourth Season, the last book in the quartet, is new, and ebooks of the first three have been published to co-incide with its release. It was always my intention to write four books, one for each season, and now I’ve achieved my aim.
Here’s a brief outline of The Fourth Season.
When the body of a young female environmental activist and science student, Laila Fanshaw, is found floating in Lake Burley Griffin, security consultant Sandra Mahoney’s life is turned upside down, not least because Sandra’s partner was in love with Laila. Ivan is a suspect and has no alibi for the time of death.
A further strain is put the relationship when another suspect, Don Fletcher, who worked in the Federal Environment Department, wants to hire Sandra to help him clear his name.
Against opposition from Ivan, Sandra says yes and takes on the assignment.
Laila was a complex person, good friends with a Greens senator, and committed to her cause, but also unscrupulous in her use of men, and an accomplished hacker. While Sandra is attempting to understand Laila’s character, and the events that led to her murder, there is another ‘death by water’. This time the body of professional diver, Ben Sanderson, is found in Sandra’s local swimming pool.
Sandra has to weigh up her desire to learn the truth against her children’s needs. Only six-year-old Katya is Ivan’s natural child; adolescent Peter has a different father. But both children are deeply affected by Laila’s death and Ivan’s reaction to it. Added to this, Sandra’s friend in the Federal Police, Detective Sergeant Brook, is absolutely against her involvement in the case.
Laila had a secret passion, and though this passion was connected to her love of the sea, nobody who knew her guessed what it was. In pursuit of this passion, she stumbled on a major criminal activity.
It takes all of Sandra’s ingenuity and courage to steer herself, and her family, through the dangers that lead to an eventual unmasking of the truth.
The first book in my quartet, The Trojan Dog, was joint winner, ACT Book of the Year 2001, and runner-up in the inaugural Davitt Award. The second, The White Tower, was nominated as the ACT representative for the 2012 Year of Reading. These two were published in Australia by Wakefield Press and in America by St Martins Press. The third, Eden, was published in Australia by Wakefield Press.
My review of A Girl is a Half-Formed Thing, Irish writer Eimear McBride’s first novel, was published in the Fairfax newspapers last Saturday. The jagged lines of the cover and the apparently haphazard way the blocks are put together echo Mcbride’s prose, which is extraordinary.
As with all literary fashions, this one has, while growing in popularity over the past ten years, attracted its share of second-rate imitations. A Girl is a Half-Formed Thing is narrated in the present tense, in fragmentary sentences of the kind that have often stuck in my throat. Maybe this is an obvious point to make, but when a writer of true originality and talent comes along, they make references to fashions irrelevant.
I didn’t have the space to add any of the background to the novel’s publication in my 650 word review, so I thought I would do so now. After years of rejections by UK publishers because it was considered too difficult to sell, A Girl is a Half-Formed Thing was picked up by a tiny independent press. Familiar story? Sadly too familiar. McBride in the end was lucky, which is not to take away from her enormous talent. All her subsequent success is, in my view, wholly deserved.
McBride won the inaugral Goldsmith’s prize for the novel. Tim Parnell, head of English and comparative literature at Goldsmiths College and chair of the judges, said A Girl is a Half-formed Thing was a “boldly original and utterly compelling” novel. It was “just the kind of book the Goldsmiths prize was created to celebrate … Serious discussion of the art of fiction is too often confined to the pages of learned journals and we hope that the prize and the events surrounding it will stimulate a much wider debate about the novel.”